Tobacco Leaves

Tobacco Leaves​

the afternoon light filters through lattice ​
windows with capiz shell inserts,​
casts a warm pearlescent glow ​
upon the wooden floor—

dried tobacco leaves
on the dining table
fill the air with scents of hay,​
a leathery spice,​
a pungent chocolate—

my grandfather’s hands​
shape a leaf ​
between his knotted fingers,​
press against the Molave wood ​
as the pendulum clock chimes​
at the half hour

the soft patter of abaca slippers,​
the rush of a silken skirt, ​
my grandmother’s footsteps ​
draw near—​

the sound of bare feet ​
creaking the old wooden floor ​
follows,​
calloused brown hands carry​
steaming coconut rice cakes​
on banana leaves—​

merienda.​


—D. G. Vachal​ ©2026

We Almost Came Back

We Almost Came Back​

we almost came back ​
to the place where we parted​
perhaps to say​
we never meant​
to say goodbye—​

on an island ferry
I saw your face​
arise from a sea​
of nameless faces​
and you saw mine​

I sat on the brown cot,​
notebook on my lap ​
the ferry’s horn ​
blasted through the cabin ​
as we started to move ​

the sun sat low on the horizon​
pink and orange light​
shimmered​
across the wooden deck ​
as I wrote—​

I heard footsteps from afar​
you walked towards me​
wearing the green shirt,​
the blue jeans I knew​
my legs,​
they could not move​

you stopped midway,​
twenty steps from where I was,​
leaned across the railing​
and just stood there​

our eyes met​
then you looked away,​
your hands gripped hard,​
jaws tightened,
Spanish eyes peered​
into the distance,​
where the sea turned​
darker,​
deeper​

I waited for you ​
to come closer​
perhaps​
you waited for me​

I sat where I was—​
a nearby radio played​
a song we knew​
when the music ended​
you walked away.​

the ferry reached the dark island​
faint lights from other vessels​
flickered upon the pier​
my hands felt numb​
as I grasped the gangplank ropes—​

I turned my face​
towards the gathering​
monsoon wind​

—D. G. Vachal ©2026​

Image by Harrydona @pixabay

Polonaise in A-Flat Major, Op. 53

Polonaise in A-Flat Major​, Op. 53

The last gold of evening​
lingered ​
upon the piano keys​
after the music ​
had already ended​—

I come back to the old piano​
my mother used to play​
her etudes and concertos,​
the ivory keys​
yellowed by time—​

suddenly I hear ​
the ecstatic pounding​
of Chopin’s Polonaise ​
in A-Flat Major—​

my mother’s hands​
striking the old piano​
long after evening​
had darkened

D. G. Vachal © 2026​

Accompanying image created with AI assistance

Among the Jasmine Blossoms

Among the Jasmine Blossoms

a key opens
my father’s filing cabinet
locked
for so long —

the second drawer
overflows with my letters:
stamped envelopes
squiggly pen strokes
from when I was a child,
a teenager,
a young woman,
a mother —

every letter quietly kept
as a jewel
when they came to him
from far away —

now that I am near
I hear his laughter
while I walk in the garden
among the jasmine blossoms.

D. G. Vachal ©2026

Image Attribution: Mokkie, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0&gt;, via Wikimedia Commons

A Stranger at Sunset

A Stranger at Sunset

the sky was light mandarin
the first time we met
you, a stranger from far away,
my task to welcome you
to our land
for just a few hours —

you and I
walked to the bus stop
you with your crisp white shirt
long sleeves,
creaseless
I with a topsy-turvy skirt,
mismatched blouse
checkered,
floral,
yellow, pink, and green —

shy and tongue-tied was I
you spoke on through my silence
your footsteps
confident
upon the cobbled streets
while I stumbled on —

you found a place for us to dine,
a table where the light fell soft
upon your face
for the first time
I looked into your eyes
as you looked into mine —

the dusty red bus brought us back
to the same stop
there we said goodbye
your smile lighted the night’s darkness
it was then I knew
I would see you again.

D. G. Vachal ©2025

Image by ELG21 @pixabay