Almost April — there is a moment just before spring fully arrives, when nothing seems to have changed, and yet, everything has already begun. Almost April when crocuses, aconites speckle colors on frigid earth, and buried bulbs unfurl their green fingers — Somewhere a cold cauldron sits atop a flame, warmth simmers: imperceptible as approaching dawn. Almost morning: when softest tones tiptoe through purple darkness, and wakening lark arises in radiant song, ruptures daybreak deafness. Almost laughter
— D. G. Vachal This poem is from my collection The Turning of Light a book that follows the quiet unfolding of the seasons within and around us. If you’d like to explore the full collection:
The Turning of Light Image (public domain): William J. Forsyth (American, 1854–1935), Crocuses, oil on canvas.
The cover of my second poetry book collection, The Turning of Light, features Claude Monet’s luminous painting, Woman With a Parasol, Facing Left (1886), one of the most beloved images of the Impressionist movement.
In the painting, Monet captured more than a woman standing in a field. He captured a moment of living light — clouds drifting across the sky, wind moving through tall grass, and sunlight shifting across the landscape.
Nothing in the scene is still. Light moves, the sky changes, and the moment itself seems to pass even as we look at it.
That quiet transformation of light lies close to the spirit of the poems in TheTurning of Light, which follow the turning of the seasons and the subtle ways time reshapes memory, love, and the inner life.
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