The turning of colors like the turning of tides, the waxing moon’s gradient shift to fullness in pearlescent light, the chilly air’s osmosis imperceptible, permeating a blanket of warmth —
emeralds turn to topaz, malachite to rubies, nightingale songs grow faint as in a moment’s dream —
I was here many times before and once again I am
swept in this lunatic array of colors: salmon and salamander, citrine and vermilion, french horns and trombone, a cacophony of shades and tinctures —
these moments soon will pass like many times before yet for a little while let me wrap myself in the colors of Autumn: Joseph’s coat of many colors.
Author’s note: This poem was inspired by a passage from “The Strings are False” by the Irish poet Louis MacNeice.
“The train for Jersey City was called the Blue Comet and I sat in a luxury Pullman car that was all windows and beyond the windows a reel of autumn madness, the maple trees gone drunk with colour. Tigers and wine, pimento, copper, coral, the bells of St. Clement’s jangling and fanfaronade of trumpets, fireworks out of the ground, Giorgione, Veronese, the tents of all the Sultans. People had told me about the American Fall, and this was it.” (“Louis MacNeice, The Strings are False, Faber and Faber Limited, Great Britain, 1965, p. 30.”)
How swiftly the season turns: moment passes by another moment as in my elusive nighttime dreams, all the while the ardor for life abides though cooler breezes quench the noonday fires —
I hear summer’s last melodies edged with change cedar waxwings whistle among the birches, the meadow edge hums with crickets and katydids, mourning doves croon their yearning calls into the twilight air —
evening approaches: a waxing half moon sheds silver threads upon the garden fronds, forest trees cast blurred shadows, open fields lie platinum pale half radiant, half shrouded, inlet waters quietly flow into their appointed oceans in albescent half-light —
last day of August I stand at the precipice of summer’s departure on a quarter moon evening, revealing yet secretive of what approaching Autumn holds.
April’s sapling arising from the fragrance of damp spring earth, tiny buds unfurl like infant fingers, release the first soft leaves, chartreuse as songbirds return, perch upon scrawny shoulders —
lengthening days drift with tides, clouds of egrets in flight, dawn dewdrops ephemeral upon blades of grass —
quickly comes August: the sapling’s girth thickens, networks of roots proliferate, dig deep like earthworms into warm soil, arms broaden from twigs to branches as thrushes thread through the canopy, warble with the rustle of emerald leaves, golden harp melodies in the cooling breezes.
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